Arts
The Son Rises
Zayed Khan on movies and dodging his father's shadow.
The youngest child of well known actor Sanjay Khan and his beautiful wife Zarine, the current teenage heart throb Zayed Khan talks about his foray into films and why he didn’t want his father to launch. Is it true that your mom would be absolutely sure each time she was pregnant that it would be a boy and she would name him Ali, and then have a girl instead? How did you know that? It’s absolutely true. I guess both my parents were very keen for a boy, something that isn’t such a big deal anymore now, but it was then perhaps, and each time she did think Ali was going to arrive. In fact when my third sister was born she was so disappointed she wouldn’t look at the baby, until the nurse came to her and said, “Madam you are very strange. This is the most beautiful baby I have ever seen.” Mom took a reluctant peek and fell instantly in love. I arrived after that. So were you spoilt? My mother is the most amazing woman I know. To bring up four pretty grounded kids, away from the fake world of films, star wives, starry parties, and see through the façade, handle complicated relationships, is a tough job. She is the biggest superstar in our house. You went to a boarding school at a young age. That must have been hard for mom. Is it true you asked her not to kiss you in front of all the other boys before leaving and she did just that? You know even that? Well it’s true. The boys had quiet a field day ragging me about it after she left. Actually I was about 11, when my father was badly burnt in the fire that raged on his production sets. He was badly burnt and it was a long recovery. I was 11 then, old enough to know what had happened but not old enough to understand the gravity of the situation. At that time somehow my family felt I should be shielded from the situation and decided I should be sent to a boarding school. I think it was hard for mom to let go, but even harder to see the condition of the dorm in which I had to live. I think that experience taught me a lot about real life. I folded my own clothes, polished my own shoes, took cold showers and learnt that there was a world out there that was not as affluent as the one I knew. I learnt about team spirit, about my country, because there were kids from all kinds of backgrounds from all parts of the country. I think it allowed me to grow up in a way I probably wouldn’t have, had I stayed on in Mumbai. I learnt a lot about relationships and friendship there. Still having been sent away at a time when my dad was in a tough situation has made me very deeply conscious of what they went through. Today all I think of is that I must do everything to make sure they never have to face what they did then. I just want to take good care of them, because they have given so much to their children. So did you see any of dad’s films? And I did read somewhere that you always had it at the back of your mind to become an actor. My all time favorite film has been Abdullah. I must have seen it twice a day every day for a long time. I have also loved the way dad was able to extract a superb performance from Raj Kapoor who was a close friend of my father’s. Yes I always wanted to be an actor but I had this illusion that since I’m Sanjay Khan’s son I will be given everything on a platter. I used to just while away my time, quite complacent about everything. When I told dad, I wanted to be an actor, he told me quite bluntly, that he saw nothing in me at that point that indicated I had it in me to be an actor. I was very hurt, but he was right. It was mom who came to my room and said, okay so you want to be an actor. Then go and prepare yourself to be one. Get the tools you need to make it. I asked for Strength……… I received nothing I wanted It took me four years of tremendous work to get ready. I took martial arts classes, acting glasses, dancing classes which I just loved. Today’s actor has to be a complete package and when I started out I was far from it. So why did you not ask your father to launch you? Your uncle Feroz Khan launched your cousin Fardeen. Chura Liya Hai was your first film and it turned out to be quite a fun film with some outstanding stunts.What was it that you discovered about yourself? My dad has hated some of the films I’ve accepted, but the cool thing is that since I’ve made my own decisions, we can disagree without being disagreeable. Le’ts talk about Shabd and Vaada. In Shabd you played a younger man in love with an older woman opposite Aishwarya Rai. In Vaada you played an obsessive lover who finally loses control and is out to destroy the very woman he loves so much. Considering you were in your early twenties were those roles tough to do? Also is it true that you stood under a crossing train and wished to act opposite Aishwarya Rai one day? As for the movie, I don’t think age has anything to do with wisdom or understanding of life. I felt totally at ease with Shabd. The theme of older woman younger man relationships had not caught on then as it has now, so I was really glad that Indian cinema was looking at a subject that was a very real part and parcel of our lives. I liked my role, of this positive, fun loving man, who adores this woman and the fact that at one point she wants to give in to the experience. Unfortunately Shabd was a classic case of the script not being translated to screen that successfully and the movie didn’t shape up that wel. Maybe it was a difficult concept to translate on screen, but I enjoyed doing the movie and I admire Leena for being such a deep thinker and so cutting edge in her choice of subjects. As for Vaada, it was interesting when Vashuji came to me and said, “I am offering you a negative role and in that Arjun Rampal is 20 percent then you are 16 percent in terms of weightage.” I said, oh great I’ve already been demoted to a negative role so soon in my career, but after I heard the narration, I was excited by what I felt could be done with the role. I have been around and been in situations where even the nicest of people can act contrary to their nature when they obsess about something or someone. In obsessive love there is no regular way of doing things; there is a deep profound sense of blind belief that whatever the person is doing is right and they ignore the fact that it can hurt a lot of people. More than it being destructive, I think it is a terribly sad tragedy. So I told Vashuji that you have to give this character some redemption at the end. I think the role turned out well and at the end I felt it was no longer a 20-16 equation, but a well balanced parallel performance. You acted in Shaadi No 1. Its every actor’s dream these days to act in a film directed by David Dhawan. How was the experience? The role that catapulted you to fame was the blockbuster Main Hoon Na with Shahrukh Khan and directed by ace choreographer Farah Khan. Many kids just remember you as Lucky, the character you played. It was an all-round, feel good fun film with great music. You also said the character was a lot like the real you? Were you such a trouble maker? Farah is like an older sister, but she is also extremely outspoken and doesn’t hesitate to call a spade a spade. Both Shahrukh Khan and she are such powerhouses of knowledge that one can learn decades of acting nuances by just working with them in one film. We used to fight a lot and she would yell at me all the time. I once remember we were to shoot this song in Darjeeling and the air was very thin at the height where we were shooting. It was a one shot thing because if we stopped we would lose the impact of what was coming immediately after the song. So we had already had 12 takes, and the air was getting thinner and thinner. Here I’m dancing away when two-three dancers in the troupe keel over and faint. So I stop and she screams, “Why are you stopping?” I say these people are lying here unconscious. She yells, “Then dance over them dammit.” I go ahead dancing and prancing with this fixed grin on my face wondering if those women were going to die, and as soon as we finished I said cut. Farah got even madder and yelled, “How dare you say Cut on my sets.” People have always joked that Sunjay Dutt and Salman Khan took their shirts off and it has now become a trend for men to strip on screen in every Bollywood film. You need to have a well toned body to take that shirt off. However on the heels of this focus on fitness come the disturbing media reports that steroid use is rampant in the film industry. I make it a point to work out at various gyms around town where all the aspiring actors and models work out. It is mind boggling to see the amount of hard work some of them put at the gym and that too for a two minute shot they may have in some film. It keeps me humble and grounded, and also puts things in perspective for someone like me who had expected it all to be given to me on a platter. You talked about hurting your back. It seems more and more actors are doing their own stunts. Your brother-in law, actor Hritik Roshan had a near miss when he fell almost 50 feet during a shoot in Singapore, after the harness holding him above broke. Why court danger like that? Shahrukh Khan seems to have a chronic back problem now because he chose to do his own stunts for so long. I think that is why Shahrukh told me to conserve that uncontrolled energy. I think we are perhaps better trained in martial arts, etc. than our actors in my dad’s time were, and maybe its because deep down we really believe we can do those difficult stunts and get away with it. Cinema is larger than life and people who watch films can see when the artist is doing his own stunts and when it’s a double. For me the motivation is to give my fans the real thing. My elders feel that I’m stupid to think like that but I think that is what separates the men from the boys, but it is risky business all the same. So what’s in the works? |