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It’s a timeless, endless and relentless controversy that began the day
performers and performances came into being. Stars consider actors a dull,
theatrical lot, desperate to play the “realism” card to prove to the world that
great acting comes from being natural and real life, which to them is a lot
like death-warmed-up! Actors view stars as corny and laughable cardboard
cut-outs, forever engaged in hamming and posturing for their end objective of
successfully catering to the lowest common denominator, who wouldn’t recognize
real acting performance if it stared them in the face or bit their behind.
Not all of this is true … or false. In terms of sheer acting,
Naseeruddin Shah, Om, Pankaj Kapoor, Irfaan Khan, Konkona Sen Sharma, Rahul
Bose or Sahana Goswami undoubtedly represent mind blowing fare, but do they go
across a fraction as big as the stars? The killer Khan clan, Hrithik, Akshay,
Ranbir or Kat, Bips, Kareena and Priyanka may not have the histrionic
fire-power of the above list, but their glamor, charisma, electric presence and
sex appeal mesmerizes.
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| Amitabh Bachchan in Paa |
Agreed, say the critics, but popularity is not excellence. These dumb
award ceremonies played out in different parts of the world, are silly,
ego-boosting shows pandering to dumbed-down, glamor-starved, Bolly-crazy NRIs,
neither interested nor knowledgeable about the real thing, they insist. Can
these stars, earning mind-blowing pay-checks, act to save their life?
Loaded question, but the answer has to be: If given the scope,
opportunity, motivation, inspiration and mentoring, yes! Examples? Here goes …
Let’s start with King Khan. Shahrukh Khan has always — not without
reason — been perceived, first and last, as a star. Tashan, and mannerisms
define his screen persona as the ultimate, romantic lover-boy, whose pairing
with Kajol, is rated as the biggest wow of the generation. Sling in comedy,
dance, action and drama and Shahrukh offers the most lethally entertaining
package in B-town. It’s not great acting, say his critics, but hamming and
doing the same damn thing over and over again. Maybe, says the cool dude, but
if a zillion fans all over planet earth are okay with it, who am I to quarrel
with it, boss? On a more serious note, didn’t lover boy Khan deliver in super
style in Swadesh and later Chak
De? And didn’t the recent My Name is Khan prove his ability to push the envelope one more time?
Remember Shahid Kapoor (the poor man’s SRK?) constantly flashing his
cute, lover-boy, dancing-star image in film after film after film? And then
came Kaminey and blew the hell out of this image, right? Playing a double role —
disabled — the cutie pie socked home a solid thumper!
Same with dancing freak, Greek God looking Hrithik Roshan. After his
sensational Kaho
Naa … he was the new hot star on the block, remember? A
couple of bombs later, playing a guy with a child-like personality, Roshan
junior risked his all to come up trumps in Koi… Mil Gaya. Risky as hell — one false move and it would turn out to be a
caricature — Duggu leapt in and rocked, big time!
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| Aamir Khan at a press conference for Ghajini |
What about the metrosexual and uber-cool dude Saif Ali Khan? After a
zillion bombs, he was “discovered” by Farhan Akhtar in Dil Chahta Hai and took off from there. However, the first sign of a real, stark
risk-taking move was his deadly negative role in Ek Haseena Thi. The film may not have romanced the charts, but it clearly served
notice to anyone who cared to note that here was a talent clearly beyond the
image. Omkara confirmed it in an amazingly, chilling manner. He played Langda Tyagi
so convincingly that one forgot he is really the Chhote Nawab of B-town!
And can one ever forget dud actor Abhishek Bachchan transforming into a
fine performer in Yuva and later Guru? It took the perceptive Mani Ratnam to figure out the real strengths
of Amitabh Bachchan’s baby and boy, did he exploit them to the full in both
movie.! Ever since, Abhi has indeed moved on … and away from his dad’s
giant-sized shadow!
Aamir Khan actually doesn’t need to be listed in this group, because,
if there is one star who has consistently dared to tilt at windmills — from Lagaan to 3
idiots — to demonstrate his urge to portray different roles,
characters and personas, it is this pocket-sized dynamo of talent.
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| Shahid Kapoor in Kaminey |
So, these are some of the major hot n’ happening stars who have risen
to the bait, when it came their way. Hey? What about the Big B, you ask? Sure,
with Paa and a host of character roles — Sarkar, Cheeni Kum, Baghban, KANK — he does qualify, but not, in my book, in quite as convincing a way
as, say, Aamir. Because at his peak (in the 1970s and early 1980s), he never
ever attempted anything that disturbed his image, or rocked the boat. Pity, as
he was one star who could have given both, his outstanding talent and the small
film movement of that time, a dynamic momentum. Ah well, better late than
never, I guess …
Cut to the perpetually dismissed, neglected, taunted and patronized
constituency — Bollywood heroines! Barbie Dolls, sexy, glamorous props inserted
to provide the hero with a “love interest” and the drooling, voyeuristic mobs a
deadly peek show. While it is true that beauty queens and hot models are
invading the biz in droves, there are enough examples to demonstrate that these
so-called mannequins can sometimes startle and stun the biggest cynic. See for
yourself …
Let’s start with the celebrated ice maiden, Ash Rai Bachchan. For a
long time, she was the butt of jokes relating to acting, remember? A doll in a
showcase, cosmetic queen … Then came Hum Dil De Chuke Sanam and more significantly, Rituparno Ghosh’s Chokher Bali and later Raincoat. In recent times, Guru reaffirmed what people never knew
about the beauty — she had talent. What she needed was a director and a vehicle
to showcase it with passion, inspiration and confidence.
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| Shah Rukh Khan on the set of My Name Is Khan with director Karan Johar |
Likewise, the lovely Kareena Kapoor zonked one and all by going de-glam
and socking out one helluva performance early in Chameli, in which
she played the role of a sex-worker. Rani Mukherjee, at her peak, had the guts
and confidence to play a deaf, blind girl in Sanjay Leela Bansari’s
path-breaking Black. Unforgettable, huh? And beauty queen Priyanka Chopra in the role of
the sexually aggressive other woman in Aitraaz and later doing two astonishing
turns in Kaminey and What’s
Your Rashee. Amazing, naa? As we go into print, the
reigning diva Katrina Kaif makes her debut in this list with Prakash Jha’s Rajneeti, where she plays a female politician.
At the end of the day, we should remember a couple of things. One,
despite the frenzied star craze in our land, a film is ultimately a director’s
product. It is he and he alone, through his vision, talent, and sensitivity who
can extract the best out of his performers. Which is exactly why, despite
having the biggest marquee draws, several big films bomb and smaller films
click. Secondly, most stars are mostly clueless about their own strength and
talent-bandwidth and if properly motivated and driven they can, and do, achieve
wonders.
So, can stars act? Yes, they can — if and when challenged by the right
set of circumstances. But come on, why bother if just looking hot and posturing
can excite their drooling fans and secure them paychecks to wake the dead?
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HERO AS ZERO!
B-towns new obsession with de-glam stars.
Once upon a time, the hero was handsome, brave, noble, honest,
God-fearing and tread the path of virtue with all his mental and physical
faculties. The heroine was beautiful, virtuous, sacrificial, ever-giving and
never ever strayed from the straight and narrow. Not any more, guys. Suddenly,
it is cool to be imperfect in Bollywood. Check it out …
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| Aamir Khan |
What better example to kick-off than Bollywood’s Ace of Hearts Shahrukh
Khan — the quintessential Mr. Romantic — playing a character suffering from
Asperger’s syndrome, a mild form of autism, in his last release My Name is Khan; a guy who can neither say a simple “I love you” to his lovely wife
(Kajol) nor make eye contact. Earlier he limped his way into several hearts as
a disgruntled, frustrated and injured footballer in Kabhi Alvida Na Kehna. A
couple of years earlier, another superstar Aamir Khan did his number in Ghajini, playing a hero who suffered from short term memory loss. Earlier yet,
chocolate boy Shahid Kapoor hit the disability button real hard in Kaminey, essaying a double role in which one stutters while the other lisps.
Cut to Rani Mukherjee, who played a deaf-mute in Black. Kajol was blind in Fanaa and suffered Alzheimer’s in U, Me Aur Hum. Hubby Ajay Devgan, played a developmentally challenged father in Main Aisa Hi Hoon. As we go to print, rumor has it that in Sanjay Leela Bhansali’s
latest movie Guzarish, Hrithik plays a paraplegic. No big deal, remember his brilliant turn
as an overgrown child in Koi… Mil Gaya? And of course the Amitabh
Bachchan’s astonishing portrayal in Paa was something
else. If reports are to be believed, many more “disabled” roles are in the
offing.
And the stars are grabbing! Good heavens, wassup guys? Whatever happened to the glamor-glycerine breed, the cosmetic,
conscious, image-fixated dudes and dolls? After all, the heavy-duty gyming and
beauty-parlor kills, this? Critics are not surprised. They point to Hollywood
which has pushed this envelope, big time. Whether it is Tom Hanks in Forrest Gump and Philadelphia, Dustin Hoffman in Rain Man, Jamie Fox in Ray, and Al Pacino in Scent Of a Woman — these guys
have never hesitated to storm into the blood n’ marrow of these roles, making
them come alive … and image, be damned! Bollywood too seems to be heading that
way.
“In terms of histrionic challenge for stars it is certainly very
potent, visible and tempting. Besides, audiences too seem to be cool with the
disabled hero/heroine. An exciting churn is on and in this scenario, anything
that is engaging, fresh, novel and impactive is … on!” says film critic Saibal
Chatterjee.
So, the age of the perfect hero and gorgeous heroine is under challenge
— and B-town and audiences are the richer for it.— ML
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