Abroad at Home
Academically Speaking
Arts & Entertainment
At Home Abroad
Bollywood
Books
Business Wise
Cracking Up
Cuisine
Diaspora
Faith Matters
Fashion
Groundswell
India File
India Inc
InMerica
InSource
It's a Techie Life
Lifestyle
Media Watch
New Generation
Politics
Reverse Take
Single Desi
Sports
Star Gazing
Travel
Unconventional Wisdom
Under Construction
   
 
Download our
Media Kit here
 
 
January 2005
February 2005
March 2005
 
 
Amar Chitra Katha’s Westward Voyage

By Rajnish Sharma

Move over Rambo.

Little India

Never mind what Sly Stallone says about recreating Rambo on the big screen. Americans seem to think he is passe. They have instead taken a liking for the macho men of Indian mythology Prithviraj Chauhan and Karna and are lapping up Indian comics that narrate tales of mythological and historical legends.
Such is the craze for these comics that Karline Marie Mclain, an inspired teaching assistant from Texas University, has taken up a unique project as part of her Fulbright research project titled “Amar Chitra Katha and the Construction of Indian Identities.” According to Mclain, imparting knowledge of Indian mythological and historical figures to Indian children in the United States has become simpler since the advent of Amar Chitra Katha in the U.S. What’s more, many mainsteam Americans are attracted to the popular comic series that enjoys a cult readership in India.
“Understanding Ramayan and Mahabharat has become much easier now. Instead of going through voluminous epics, it’s now a matter of going through just 32 pages. Of course, you cannot understand everything through them, but they give one a broad idea nevertheless,” Mclain says. And not just children alone, but even at the college level, these comics are fast grabbing attention. The comics are distributed to students pursuing courses related to Hinduism and Indian culture.
According to Mclain, Indian mythological characters like Karna from Mahabharat are hugely popular in Texas and other universities where Indian mythological stories are part of the course. Karna scores over Arjun there among males while women prefer stories of Indian women like Jhansi ki Rani, she says.
Having already scanned about 100 Amar Chitra Katha series in the United States, Mclain plans to search for more such books in India. A tour of England for the same purpose, will follow. Her personal favourite among the Amar Chitra Katha stories remains Ramayan because of the various versions she has heard of it.
Mclain concedes that the fact that these comics have freelance artists drawing for them made her task a little difficult. “Because I had to go to various parts of India to check up on the artists and study their portfolios.” She adds that what she also discovered along the way was India’s hospitable attitude. “While in any other country when you approach people for an interview they meet you at a coffee shop and finish it off in a jiffy, Indians are great at entertaining guests. All the Indian artists I have interviewed so far have gone out of their way to invite me to their homes and offer me lunch.”
David Mason, another Fulbright researcher, fancied Ras Lila theatre enough to take it up as a research theme. Putting up in Vrindavan in the State of Uttar Pradesh for some months now, David has discovered that Lord Krishna’s Ras Lila is not just about showbiz. “I have observed this vernacular theatre many a time and have come to the conclusion that Krishna is actually present in these performances. It’s amazing but none of the Western religious dramas can convey the same feeling that you get while watching this particular form of drama.”

Little India

How did David realize that Ras Lila would turn out to be his vocation? He says that he had always wanted to analyse epic traditions in India and this was one kind of theatre that centred around temples. “In fact I had first seen Ras Lila in Utah in the U.S. and I was absolutely floored.”
Seven Lindquist who has done extensive research on the life and times of Yajnavalkya (an almost forgotten historical figure from Indian literature) feels: “No religious study can be complete without coming to India. I mean can you believe the fact that I have worked with Sanskrit pandits for some 11 years now and I still feel that there is a lot more that I have to learn. The city of Benaras (now known as Varanasi) where I have stayed for three years, has been a major learning experience for me. As I have been working on Upanishads, I have also picked up a lot of interesting facts about early Vedic rituals and Puranic literature.”










..- End Of Article.....

 

 

 

 

 

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
Home
|
About Us
|
Advertising
|
Feedback
|
Archives
|
Classifieds
|
Events Calendar